From Harriett Gilbert and Jia Tolentino (again) to my beloved Kacey Musgraves, here are the things I loved this week:
Harriett Gilbert’s presentations on BBC Radio 4’s A Good Read accompany me on my drive to and from work. This week, her guests chose Milkman by Anna Burns and The Argonauts by Maggie Nelson–a book I’ve written about in the past.
Claire Mullen writes about Nahui Olin: “Poet, Artist, Erotic Muse of Mexico’s Avant Garde.”
Here we are again. Another week, another roundup. Most of the articles I loved this week come straight from LitHub: the greatest lit website you or I will ever encounter. My keen interest in the work of Jia Tolentino led me to a review she wrote of the song “Rude” by Magic! It was published a few years ago, but never have I witnessed such sweet vivisection. Otherwise it’s a mixed bag of true crime, elegy, and writing about writing/writers.
Here are the things I loved this week:
“The Perils of Pearl and Olga” by Clair McKelway appeared in the New Yorker this week. The sinister and twisted story will satisfy any true crime aficionado.
I haven’t kept up with award show season this year, so it was quite a fortuitous surprise that the legendary Glenn Close should win a Golden Globe last night for her performance in Bjorn Runge’s adaptation of Meg Wolizter’s 2003 novel just as I finished reading it. The film wasn’t a must-see for me, nor was it the reason behind my decision to pick up the book. I chose to read it after listening to BBC Radio 4’s “A Good Read” podcast hosted by the inimitable Harriett Gilbert. Comedian Lolly Adefope picked The Wife as her good read for the segment.
While reading the novel–the first I’ve read by Wolitzer–I was struck by the timelessness of the story and the bare-bones truth of its central theme: everybody wants a wife. In the book, Joan Castleman–the wife of literary superstar, Joe Castleman–has decided she is going to end her marriage after four decades. From the beginning, the reader understands how unhappy Joan is. The source of her deep-seeded resentment is revealed over time.
Joe has just won a prestigious award bestowed by the Finnish equivalent of the Academy of Arts and Letters, though, as Joan points out, it is not as prestigious as the award the Swedes hand out every year. This grand fete thrown in Joe’s honor pushes Joan to the end of her rope, causing her to look back on the course of their relationship and the events that let them to the present.
Joan expresses the sentiment that everyone must want a wife because she has done everything for Joe over the course of their marriage, and in return he has done nothing. He is childish, preening, and mildly stupid. How does this type of man publish such great work? We can suspect what the real source of his success is from the beginning. But even when Joan reveals the truth, readers will be shocked.
Wolitzer is a master of layering her narrative and moving back and forth through time. She renders, in perfect detail, the minutiae of the Castlemans’ failed marriage, getting to the heart of the ways in which men leech power from those who support them.