I finished this book several months ago, but never got around to doing a write-up about it. It took a few weeks for me to get through it; I found that I was conflicted about a few components of the novel, and wasn’t able to construct a clear argument regarding those elements.
The novel concerns the experiences of an Italian teenager named Eugenia who is forced to leave Rome for Los Angeles by her hippy-ish, champagne-socialist parents. The Rodney King riots have just rocked the city, and sections of the city are still smoking from the damage when Eugenia’s family arrives.
She gradually learns how to navigate an American high school…well…the LA version of an American high school, where gang affiliations are rampant, and the ability to sample sex and drugs is open to most. A stranger to these things at first, Eugenia lets herself sink into the experimentation and immediacy of her surroundings. She befriends a young Persian gang member who is endearing and kind in their private moments, but won’t be seen with her in public.
Her sexual experimentation enrages her parents who, despite their seemingly liberal ways, deem her a whore. When she meets Deva–a beautiful, illusive girl–Eugenia ventures into Topanga Canyon where California morphs into another one of its ever-changing personalities. What becomes a one-sided romance (on Eugenia’s end), becomes complicated by the strange, likely incestuous relationship between Deva and her overbearing father.
Eugenia’s story hinges on the sharp-edged wilderness of Los Angeles in the early 90s–from Hollywood kitsch and gang violence, to the harshness of the surrounding landscape and the disasters that surround it–leading to the novel’s eponymous climax.
Though the book adheres to some of the main YA tropes, there are several aspects of the book that jumped out at me.
Honestly, I’m still not sure I can elucidate these things clearly now since it’s been so long, but I’ll just make a few points about it:
- Chiara Barzini needs to write more fiction for young adults. More fiction period. Her style is lyrical by nature, capturing the essence of Eugenia’s experiences in long waves rather than the short bursts of observation that I’ve come to associate with young adult fiction.
- There is a section in the middle of the book that follows Chiara and her brother back to a remote island off the Italian coast where the narrative shifts rapidly into a primitive environment that lacks most modern amenities. Without getting into too much detail–that section was a surprising and incendiary exploration of violence and jealousy.
- As characters, Eugenia’s parents are extremely well written considering the fact they don’t get much page time, but their personal politics seriously irked me. Besides reacting poorly to Eugenia’s sexuality, other aspects of their behavior reveal them to be slightly narcissistic and almost entirely hypocritical about their alleged belief system. And I cannot stand the way they call everyone fascists…but I think that’s a particularly Italian reproach…
These are the things that stood out to me, and I know I’m neglecting a lot. The book has a lot to unpack. All in all, it’s a gripping coming-of-age story that I would recommend for older teenagers.