One of my favorite pastimes on days when I cannot concentrate on anything or sleep more than a few hours is to watch The Graham Norton Show—a slightly ostentatious, mildly campy chat show that features major Hollywood stars and musicians who go on to talk about their work. Graham Norton, the eponymous show’s host, has a knack for navigating the personalities that settle on his red couch for the evening—expertly pivoting between guests in order to make a cohesive, often hilarious, show.
So when I found out the same Graham Norton was turning his hand to fiction, I was surprised. The solitary act of writing fiction seemed like the antithesis of something Norton would do. But as he explains on the BBC Radio 4 broadcast, “Books and Authors,” he has always wanted to write a novel and seized the opportunity when it came along.
After already having written two acclaimed memoirs, So Me (2004) and The Life and Loves of a He Devil (2014), Norton strays from using autobiographical content in his debut novel, Holding, though he does return to his native land to tell the story.
Set in a small Irish town called Duneen near the city of Cork, Holding explores the lives of those lifelong residents who, for one reason or another, find themselves stuck there. Sergeant PJ Collins—the town’s sole police officer—is overweight and has nothing else to do but dispense parking tickets. Brid Riordan, Duneen’s resident alcoholic, will not admit that she has a problem even though her family is slipping away from her. And Evelyn Ross—beautiful and composed—lives with her spinster sisters in their family estate, refusing to abandon each other after their parents’ untimely deaths.
When skeletal remains are discovered at a construction site on the old Burke farm, these three—and the entire town—are thrown into the past. Finally, PJ can put his skills to use; his time to shine. But the police lieutenant from Cork who supervises the case questions his competence, secretly referring to him as “Sergeant Sumo.”
They come to believe that the remains belong to Tommy Burke, a boy no one has seen or heard from in twenty-five years. For Brid and Evelyn, the reemergence of Tommy Burke dredges up painful memories. Right before Tommy disappeared, he had been engaged to Brid. He did not love her, which Brid knew, even then; he valued her family’s farmland. But she’s never been able to get past the idea of what her life could have been like with Tommy instead of her husband, Anthony, who looks at her with disgust more often than not.
Evelyn was in love with Tommy and believed he was in love with her as well. For twenty-five years she’s mourned a love that never got the chance to form. She’s lived a half-life instead. Just like Brid. Completely loveless.
Norton’s story hinges around the discovery of a body, but its primary function is to explore the psyches of Duneen’s residents. They wonder what life could have been if things had been different in their youths—if they had only had the chance to leave. If, perhaps, love had come easily for them.
One of Norton’s greatest strengths in Holding is the exploration of solitude as it relates to never attaining love. For his characters, love has been lost, stolen, killed, buried by circumstance, or, quite simply, never found in the first place.
It’s the exact opposite of what people would expect from the public persona Graham Norton puts forth, but this novel exhibits his keen ability to dissect the inner workings of human turmoil. Any reader who is fond of simple little mysteries will enjoy this book. Though Norton’s fans might be hard-pressed to find the entertainer’s personality displayed obviously, they will be able to find his humor in the slight details. It’s well worth a read.